Note to self: Now you do have to let this bit dry thoroughly out or you court disaster if you press too hard on the brush and to be fair it is hard mot to.
Anita's Acrylics yet again come to my rescue, starting with a plain lick of Earth Brown (11014) covering the base using a wet-brush rather than a dry brush technique. You can judge for yourself if you think the extra 'watery base coat of brown-black" was worth it from the previous stage (see below):
Next mix Earth Brown with Anita Acrylics Coffee (11044) in a 1:2 ratio. Again a rough and ready wet-brush application but less searching out the nooks and crannies than the first brown layer (see below):
Then despite it sounding slightly crazy, add Anita's Acrylic (11055) Lemon Yellow on a 1:1 ratio with the left over mix from the previous stage. This time I adopted a very lazy "let and let live" approach to painting, dabbing here and there as a lot of this will be covered in a layer of flock. Why bother at all then? Well, over time the flock will drop off or go bald, so if/when this happens the base still does not look too bad (see below):
Finally to the remaining residue add Anita Acrylic White (11001) to add that final 'rim' highlight on prominent raised places on the base. Less is definitely more here and subtlety is the watch word, so I pretty much reverted to more of a drier-brush than the previous stages (see below):
Here's one I may slightly of over done (see below):
With that it is the end of the painting! Moving onto the final phase of where I got to the in the original 2009 Painting Guide.